Captain America - Power, Abilities and Weapons

Powers and abilities

Steve Rogers' physical transformation, from a reprint of Captain America Comics#1 (May 1941). Art by Joe Simon and Jack Kirby.
Captain America has no superhuman powers, although as a result of the Super-Soldier Serum and "Vita-Ray" treatment, he is transformed from a frail young man into a "perfect" specimen of human development and conditioning. Captain America's strength, endurance, agility, speed, reflexes, durability, and healing are at the highest limits of natural human potential. Rogers' body regularly replenishes the super-soldier serum; it does not wear off.
The formula enhances all of his metabolic functions and prevents the build-up of fatigue poisons in his muscles, giving him endurance far in excess of an ordinary human being. This accounts for many of his extraordinary feats, including bench pressing 1100 pounds (500 kg) and running a mile (1.6 km) in little more than a minute Furthermore, his enhancements are the reason why he was able to survive being frozen in suspended animation for decades. Rogers cannot become intoxicated by alcohol, drugs, or impurities in the air and is immune to terrestrial diseases. He is also highly resistant to hypnosis or gases that could limit his focus. There have been many attempts to recreate this formula but after the death of its creator the secrets of creating a super-soldier died with him.
Rogers' battle experience and training make him an expert tactician and an excellent field commander, with his teammates frequently deferring to his orders in battle. Rogers' reflexes and senses are also extraordinarily keen. He has blended judo, western boxing, kickboxing, and gymnastics into his own unique fighting style and is a master of multiple martial arts. Years of practice with his indestructible shield make him able to aim and throw it with almost unerring accuracy. His skill with his shield is such that he can attack multiple targets in succession with a single throw or even cause a boomerang-like return from a throw to attack an enemy from behind. In canon, he is regarded by other skilled fighters as one of the best hand-to-hand combatants in the Marvel Universe. Although the super-soldier serum is an important part of his strength, Rogers has shown himself still capable in sufficient ways against stronger opponents even when the serum has been deactivated and he has reverted to his pre-Captain America physique.
Rogers has vast U.S. military knowledge and is often shown to be familiar with ongoing, classified Defense Department operations. He is an expert in combat strategy, survival, acrobatics, military strategy, piloting, and demolitions. Despite his high profile as one of the world's most popular and recognizable superheroes, Rogers also has a broad understanding of the espionage community, largely through his ongoing relationship with S.H.I.E.L.D. He occasionally makes forays into mundane career fields, including commercial arts, comic book artistry, education (high school history), and law enforcement.

[edit]Weapons and equipment

Captain America uses several shields throughout his history, the most prevalent of which is a nigh-indestructible disc-shaped shield made from an experimental alloy of steel and the fictionalvibranium.The shield was cast by American metallurgist Dr. Myron MacLain, who was contracted by the U.S. government, from orders of President Franklin Delano Roosevelt, to create an impenetrable substance to use for tanks during World War II. This alloy was created by accident and never duplicated, although efforts to reverse-engineer it resulted in the discovery of adamantium.
Captain America often uses his shield as an offensive throwing weapon. The first instance of Captain America's trademark ricocheting shield-toss occurs in Stan Lee's first comics writing, the two-page text story "Captain America Foils the Traitor's Revenge" in Captain America Comics #3 (May 1941).
The legacy of the shield among other comics characters includes the time-traveling mutant superhero Cable telling Captain America that his shield still exists in one of the possible futures; Cable carries it into battle and brandishes it as a symbol.
When without his trademark shield, Captain America sometimes uses other shields made from less durable metals such as steel,or even a photonic energy shield designed to mimic a vibranium matrix. Rogers, having relinquished his regular shield to Barnes, carries a variant of the energy shield which can be used with either arm, and used to either block attacks or as an improvised offensive weapon able to cut through metal with relative ease. Much like his vibranium shield, the energy shield can also be thrown, including ricocheting off multiple surfaces and returning to his hand.
Captain America's uniform is made of a fire-retardant material, and he wears a lightweight, bulletproof "duralumin" scale armor beneath his uniform for added protection. Originally, Rogers' mask was a separate piece of material, but an early engagement had it dislodged, thus almost exposing his identity. To prevent a recurrence of the situation, Rogers modified the mask with connecting material to his uniform, an added benefit of which was extending his armor to cover his previously exposed neck. Since then, events have forced him to reveal his identity to the world. As a member of the Avengers, Rogers has an Avengers priority card, which serves as a communications device.
Captain America has also used a custom special Harley Davidson motorcycle, modified by the S.H.I.E.L.D. weapons laboratory, as well as a custom-built battle van, constructed by the Wakanda Design Group with the ability to change its color for disguise purposes, and fitted to store and conceal the custom motorcycle in its rear section.







Captain America - The background

Captain America is a fictional character, a superhero that appears in comic books published by Marvel Comics. The character first appeared inCaptain America Comics #1 (March 1941), from Marvel Comics' 1940s predecessor, Timely Comics, and was created by Joe Simon and Jack Kirby. Over the years, an estimated 210 million copies of "Captain America" comic books have been sold in a total of 75 countries. For nearly all of the character's publication history, Captain America was the alter ego of Steve Rogers, a sickly young man who was enhanced to the peak of human perfection by an experimental serum in order to aid the United States war effort. Captain America wears a costume that bears an American flag motif, and is armed with an indestructible shield that can be thrown as a weapon.
An intentionally patriotic creation who was often depicted fighting the Axis powers of World War II, Captain America was Timely Comics' most popular character during the wartime period. After the war ended, the character's popularity waned and he disappeared by the 1950s aside from an ill-fated revival in 1953. Captain America was reintroduced during the Silver Age of comics when he was revived from suspended animation by the superhero team the Avengers in The Avengers #4 (March 1964). Since then, Captain America has often led the team, as well as starring in his own series.
Steve Rogers was purportedly assassinated in Captain America vol. 5, #25 (March 2007), although he was later revealed to be alive. The comic-book series Captain America continued to be published, with Rogers' former sidekick, James "Bucky" Barnes, having taken up the mantle, and keeping it at the insistence of Rogers, who upon his return began operating as an intelligence agent in the Secret Avengers title, and in the limited series Steve Rogers: Super Soldier featuring one such field mission.
Captain America was the first Marvel Comics character adapted into another medium with the release of the 1944 movie serial Captain America. Since then, the character has been featured in several other films and television series, the most recent being Captain America: The First Avenger, scheduled for release on July 22, 2011. Captain America was ranked 6th on IGN's Top 100 Comic Book Heroes in 2011.



Publication history

In 1940, writer Joe Simon conceived the idea for Captain America and made a sketch of the character in costume . "I wrote the name 'Super American' at the bottom of the page," Simon said in his autobiography. "No, it didn't work. There were too many 'Supers' around. 'Captain America' had a good sound to it. There weren't a lot of captains in comics. It was as easy as that. The boy companion was simply named Bucky, after my friend Bucky Pierson, a star on our high school basketball team."
Simon recalled in his autobiography that Timely Comics publisher Martin Goodman gave him the go-ahead from and directed that a Captain America solo comic book series be published as soon as possible. Needing to fill a full comic with primarily one character's stories, Simon did not believe that his regular creative partner, artist Jack Kirby, could handle the workload alone:
I didn't have a lot of objections to putting a crew on the first issue.... There were two young artists from Connecticut that had made a strong impression on me. Al Avison and Al Gabriele often worked together and were quite successful in adapting their individual styles to each other. Actually, their work was not too far from [that of] Kirby's. If they worked on it, and if one inker tied the three styles together, I believed the final product would emerge as quite uniform. The two Als were eager to join in on the new Captain America book, but Jack Kirby was visibly upset. 'You're still number one, Jack,' I assured him. 'It's just a matter of a quick deadline for the first issue.'
'I'll make the deadline,' Jack promised. 'I'll pencil it [all] myself and make the deadline.' I hadn't expected this kind of reaction ... but I acceded to Kirby's wishes and, it turned out, was lucky that I did. There might have been two Als, but there was only one Jack Kirby.
I wrote the first Captain America book with penciled lettering right on the drawing boards, with very rough sketches for figures and backgrounds. Kirby did his thing, building the muscular anatomy, adding ideas and pepping up the action as only he could. Then he tightened up the penciled drawings, adding detailed backgrounds, faces and figures.
1974 Comic Art Convention program featuring Simon's original sketch of Captain America.
Al Liederman would ink that first issue, which was lettered by Simon and Kirby's regular letterer, Howard Ferguson.
Simon said Captain America was a consciously political creation; he and Kirby were morally repulsed by the actions of Nazi Germany in the years leading up to the United States' involvement in World War II and felt war was inevitable: "The opponents to the war were all quite well organized. We wanted to have our say too."
Captain America Comics #1 — cover-dated March 1941 and on sale in December 1940, a year before the bombing of Pearl Harbor, but a full year into World War II — showed the protagonist punching Nazi leader Adolf Hitler in the jaw — sold nearly one million copies. While most readers responded favorably to the comic, some took objection. Simon noted, "When the first issue came out we got a lot of... threatening letters and hate mail. Some people really opposed what Cap stood for." Though preceded as a "patriotically themed superhero" by MLJ's The Shield, Captain America immediately became the most prominent and enduring of that wave of superheroes introduced in American comic books prior to and during World War II[citation needed]. With his sidekick Bucky, Captain America faced Nazis, Japanese, and other threats to wartime America and the Allies. Captain America soon became Timely's most popular character and even had a fan-club called the "Sentinels of Liberty." Circulation figures remained close to a million copies per month after the debut issue, which outstripped even the circulation of news magazines like Time during the period. After the Simon and Kirby team moved to DC in late 1941, having produced Captain America Comics through issue #10 (January 1942), Al Avison and Syd Shores became regular pencillers of the celebrated title, with one generally inking over the other. The character was also featured in All Winners Comics #1-19 (Summer 1941 – Fall 1946), Marvel Mystery Comics #80-84 and #86-92, USA Comics #6-17 (Dec. 1942 – Fall 1945), and All Select Comics #1-10 (Fall 1943 – Summer 1946).
In the post-war era, with the popularity of superheroes fading, Captain America led Timely/Marvel's first superhero team, the All-Winners Squad, in its two published adventures, in All Winners Comics #19 and #21 (Fall–Winter 1946; there was no issue #20). After Bucky was shot and wounded in a 1948 Captain America story, he was succeeded by Captain America's girlfriend, Betsy Ross, who became the superheroine Golden Girl. Captain America Comics ended with issue #75 (February 1950), by which time the series had been titled Captain America's Weird Tales for two issues, with the finale being a horror/suspense anthology issue with no superheroes.
Marvel's 1950s iteration, Atlas Comics, attempted to revive its superhero titles when it reintroduced Captain America, along with the original Human Torch and the Sub-Mariner, in Young Men #24 (Dec. 1953). Billed as "Captain America, Commie Smasher!" Captain America appeared during the next year in Young Men #24-28 and Men's Adventures #27-28, as well as in issues #76-78 of an eponymous title. Atlas' attempted superhero revival was a commercial failure, and the character's title was canceled with Captain America #78 (Sept. 1954).

Silver Age revival

In the Human Torch story titled "Captain America" in Marvel Comics' Strange Tales #114 (Nov. 1963), writer-editor Stan Lee and artist and co-plotter Jack Kirby depicted the brash young Fantastic Four member Johnny Storm, the Human Torch, in an exhibition performance with Captain America, described as a legendary World War II and 1950s superhero who has returned after many years of apparent retirement. The 18-page story ends with this Captain America revealed as an impostor: it was actually the villain the Acrobat, a former circus performer the Torch had defeated in Strange Tales#106. Afterward, Storm digs out an old comic book in which Captain America is shown to be Steve Rogers. A caption in the final panel says this story was a test to see if readers would like Captain America to return.
Captain America was then formally reintroduced in The Avengers #4 (March 1964), which explained that in the final days of WWII, he had fallen from an experimental drone plane into the North Atlantic Ocean and spent decades frozen in a block of ice in a state of suspended animation. He quickly became leader of that superhero team. Following the success of other Marvel characters introduced during the 1960s, Captain America was recast as a hero "haunted by past memories, and trying to adapt to 1960s society."
After then guest-starring in the feature "Iron Man" in Tales of Suspense #58 (Oct. 1964), Captain America gained his own solo feature in that "split book," beginning the following issue. Kirby, Captain America's co-creator, was illustrating his hero's solo adventures again for the first time since 1941. Issue #63 (March 1965), which retold Captain America's origin, through issue #71 (Nov. 1965) was a period feature set during World War II and co-starred Captain America's Golden Age sidekick, Bucky.
In the 1970s, the post-war versions of Captain America were retconned into separate, successive characters who briefly took up the mantle of Captain America after Steve Rogers went into suspended animation near the end of World War II. The hero found a new generation of readers as leader of the all-star superhero team the Avengers, and in a new solo feature beginning in Tales of Suspense #59 (Nov. 1964), a "split book" shared with the feature "Iron Man". Kirby drew all but two of the stories in Tales of Suspense, which became Captain America with #100 (April 1968); Gil Kaneand John Romita, Sr., each filled in once. Several stories were finished by penciller-inker George Tuska over Kirby layouts, with one finished by Romita Sr. and another by penciller Dick Ayers and inkerJohn Tartaglione. Kirby's regular inkers on the series were Frank Giacoia (as "Frank Ray") and Joe Sinnott, though Don Heck and Golden Age Captain America artist Syd Shores inked one story each. The new title Captain America continued to feature artwork by Kirby, as well as a short run by Jim Steranko, and work by many of the industry's top artists and writers. It was called Captain America and the Falcon from #134-222 (although the Falcon's name was not on the cover for issues #193, 200, and 216).
This series — considered Captain America volume one by comics researchers and historians, following the 1940s Captain America Comics and its 1950s numbering continuation — ended with #454 (Aug. 1996). It was almost immediately followed by the 13-issue Captain America vol. 2 (Nov. 1996 – Nov. 1997), the 50-issue Captain America vol. 3 (January 1998 – February 2002), the 32-issue Captain America vol. 4 (June 2002 – Dec. 2004), and Captain America vol. 5 (January 2005 – July 2009). Beginning with the 600th overall issue counting these series, Captain Americaresumed its original numbering with issue #600, as if the series numbering had continued uninterrupted after #454.
There were attempts for a second series such as Captain America Sentinel of Liberty (Sept. 1998 – Aug. 1999) and Captain America and the Falcon (May 2004 – June 2005).
As part of the aftermath of Marvel Comics' company crossover "Civil War", Steve Rogers was killed in Captain America vol. 5, #25 (March 2007). Series writer Ed Brubaker remarked, "What I found is that all the really hard-core left-wing fans want Cap to be standing out on and giving speeches on the street corner against the George W. Bush administration, and all the really right-wing fans all want him to be over in the streets of Baghdad, punching out Saddam Hussein."
The character's death came as a blow to co-creator Joe Simon, who said, "It's a hell of a time for him to go. We really need him now."
In August 2007, Marvel announced that the Captain America of the 1940s will travel to the present day in a 12-issue series created by Alex Ross. entitled Avengers/Invaders. Marvel also announced that a new Captain America, with a costume designed by Ross, would debut in Captain America vol. 5, #34.
The 2007 mini-series Captain America: The Chosen, written by David Morrell and penciled by Mitchell Breitweiser, depicts a dying Steve Rogers' final minutes, at S.H.I.E.L.D. headquarters, as his spirit guides James Newman, a young American marine fighting in Afghanistan. The Chosen is not part of the main Marvel Universe continuity.
The storyline of Steve Rogers' return began in issue #600. Rogers, who was not dead but caroming through time, returned to the present day in the six-issue miniseries Captain America: Reborn(Sept. 2009 – March 2010).
After Rogers' return, Barnes, at Rogers' insistence, continued as Captain America, beginning in the one-shot comic Captain America: Who Will Wield the Shield? (February 2010). While Bucky Barnes continued adventuring in the pages of Captain America, Steve Rogers received his own miniseries (Steve Rogers: Super-Soldier) as well as taking on the leadership position in a new Secret Avengersongoing series.